Sound Forge boasts that it can be used to help comply with the CALM Act for our purposes in radio production, I don’t think it benefits us.
While this is an interesting tool to study the audio with which you are working, I’m not sure how useful it is in day-to-day production duties. There are also boxes that display the numeric value of each loudness meter. There are a total of six meters to view: Momentary Loudness, Short Term Loudness, Integrated Loudness, Loudness Range and True Peaks for Left and Right Channels. Loudness meters are an interesting addition to Sound Forge Pro 11. This will save time and much energy trying to fix the problem in post. Sound Forge Pro 11 can automatically correct this problem. At times, a sound card will add DC current to a recording and you may notice a line on your waveform. This took about two seconds to figure out and it worked like a champ.Īnother feature that I liked was the DC offset button. It can even be set it to record daily or weekly at the same time. It’s extremely easy to set what time for the program to start and stop recording and it will handle multiple entries. Perhaps a daily satellite feed needs recording. If users wish for the program to automatically start recording when it hears audio, simply set the audio threshold. If users wish to start the recording manually, they can go right ahead. Simple and sweet would define the layout. In Sound Forge Pro 11, users will find a new Record Options window to make life just a wee bit easier. Now, it’s time to look at the latest edition of Sound Forge for PC - Sound Forge Pro 11. You may remember that I shared my thoughts earlier this year on Sound Forge for Mac. I must admit that it’s exciting to tinker with new plug-ins and see how well the program performs in a real-world environment. Every so often Radio World asks me to review audio editing software that is designed or suitable for the radio production or creative director.
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